A propos de "Possum", le court métrage de Brad McGann

That is, the narrative strategy adopted makes it impossible for the viewer retroactively to identify the underlying cause of the anxiety experienced in the course of the film. The viewer is thus denied the possibility of transforming a dark, objectless mood into a clearly defined emotional state with a precise starting point and conclusion. And this privileging of mood over emotion clearly identifies Brad McGann as a quintessentially modern practitioner of tragic fiction.